Sometimes I turned the page bewildered, others I turned it in rapture. I think I thought he was referring to a new David Lynch film? Nuance — a shimmer between good and evil, beyond detection, beyond system — enjoys the privileges of satiated passivity: I read it and I want to make it my own, to steal his precision and lyricism and immaculate means of evoking the spectacularly specific. This collection is by no means perfect. He writes about opera and classic film stars and porn and Debbie Harry, amongst many, many other things, much of it interwoven with theory. At the line break, the poem engages in self-regard, echo, hesitation; it eddies.
Anything that aroused him. In truth, they made us feel fearful of our station in life. I read it and I want to make it my own, to steal his precision and lyricism and immaculate means of evoking the spectacularly specific. Is that not the purpose of criticism? This collection is by no means perfect. Take the first question one asked me, for example: The rest of the essay continues apace, ending with this delicious appreciation: In short order, I fell for Barthes, rethought my position on Althusser, and found myself enthralled by Julia Kristeva, the sole female voice amongst the French Dude Club, with her bewitching theories of abjection, e. Hollywood stars but that it could also be intelligible, coherent, even accessible. This author, Wayne Koestenbaum, and his new collection, My s and Other Essays, might not be for everyone. His gentle mission was to rescue nuance. Sometimes I turned the page bewildered, others I turned it in rapture. He writes about opera and classic film stars and porn and Debbie Harry, amongst many, many other things, much of it interwoven with theory. I love his clipped paragraphs, which makes you wonder why anyone ever needed a long one; I love his raunchy, unembarrassed confessions laid alongside descriptions of high art. I think I thought he was referring to a new David Lynch film? But it will make you want to, to witness that particular nuance for yourself, and anyone who can make you want to read a decades-dead Frenchmen who primarily wrote in riddles, bravo infuckingdeed. Thanks to the books of my academic forever-boyfriend, Richard Dyer , I figured out that theory could not only be directly and productively applied to things that I love specifically: You can find evidence and other writings here. But a theoryhead he is not: I found him most powerful in his near-academic treatment of the poetry of James Schuyler, whose work I had read only skimmingly, but with whom I am now apparently deeply in love. At the line break, the poem engages in self-regard, echo, hesitation; it eddies. The muscle of the essay is its meditation on the way form unfolds, particularly in the work of Schuyler: Such art can be sadomasochistic in its charm, its coldness, its vulnerability. Nuance — a shimmer between good and evil, beyond detection, beyond system — enjoys the privileges of satiated passivity: She swallowed political and aesthetics movements. I gulped my glass of bad grad reception Chardonnay like a doofus and dodged the question, but its relevance would soon become clear.
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